(Subject to change) SUNDAY.

(Subject to change)

SUNDAY, APRIL 3

* Bridging brace Worlds: Farkas/Moore Violin and Piano Duo

Pavel Farkas, Stephen Moore

* Finding Your Balance: Techniques for Pianists, Their [i]tout ensemble[/i] Partners and Their Teachers Flvia Puccinelli

* From the Adjudicator's Desk Cassandra Cart

* Music Making and the Spirituality Factor: The Unspoken component part Jean Stackhouse

* Partnering Your Way Back to Performing Karen Kushner, Robert Weirich

* Piano Performance Session Bradley Cordell Bolen Kristine West Denton

* Starting Time inquiry James Goldsworthy

* Stephen Chatman's Piano Music:Approaches to Composition and Related Performance Practice Stephen Chatman

* The Well-Tempered Keyboard of J Bach: The Performer's Perspective Dean Frederic Kramer

* Where's the Beat? (on periodical emphasis and rhythmical playing) Tanya Gille

MONDAY, APRIL 4

* A Musical Portrait of Twentieth-Century America: Intermediate and Early-Advanced Piano Repertoire Beverly Smoker

* A close examiner and Teacher Harmonic Convergence, Tips for Succes in the Voice Studio Tod Fitzpatrick

* Dalcroze in the Studio: Teaching universals Solving Problems and Preventing Injuries Charles C Aschbrenner

* Facing Up to Diversity:American Music Teachers in Their Global Villages Patricia Shehan Campbell, Myrna Capp, Rosita Kerr Mang, William Chapman Nyaho, Loran Olsen

* First grades in Chamber Music Nancy O'Neill Breth

* in what way to Prepare Singers for Competitions and Auditions Joan Frey Boytim, Michael Cochran,Tod Fitzpatrick, Paul Kiesgen

* Learning in designation Janet Lyman

* Listening Between the Notes: Developing Artistic Listening Skills from the real Beginning Jessica Johnson, Midori Koga

* Self-Accompanied Art Song:A Pedagogical and Historical Exploration Martha Fischer

* Surprising unknowns of the Brain: Using Brain and Education Research to Maximize Teaching Effectiveness Suzanne Schons

* Teacher as Architect, Child as Builder... Building a Musical Foundation for the First Year of close attention Using the Child's Tools and Teacher's Plan Kathleen Bullivant

* Teaching Rubato: Bend It, if it be not that Don't Break It Ingrid Jacobson Clarfield

* The Pedagogy of Artistic Pedal Technique Katherine Faricy

* The Sapphire Trio--Lecture/Recital: A Growing Legacy in Twentieth and Twenty-first centenary Chamber Music Margaret Baldridge, Jody Graves, Maxine Ramey

* Touches of Bernstein: Underappreciated Piano Music by the agency of an American Icon Thomas Lanners

TUESDAY, APRIL 5

* The Legacy of Rosina Lhevinne: A Documentary Film Salome Ramras Arkatov

* A centenary of New and Renewed Music by dint of Women Composers for Piano and Violin Susan Keith Gray, Laura Kobayashi

* A Composer's Quest: Dominick Argento Captures Virginia Woolf's Life in the canzonet Cycle "From the Diary of Virginia Woolf" Tracy Cowden Katrina Zook

* Ask an Expert--Questions You've Always Wanted to Ask Regarding Your Studio Business Roma J Eicher

* Basics at the First lecture and Forever More Fern Nolte Davidson, Marvin Blickenstaff, Phillip Keveren

* C Major--The Easiest Key? Helpful Hints for Teachers and observers John Bloomfield

* Composer in Skirts Patricia Blem Linda Smith

* Covering the Bases: Teaching Strategies for Music Reading Craig L Sale

* Ideas for Managing the dwelling Voice Studio Joan Frey Boytim

* Piano Portrait--The Life and Music of Francis Poulenc John Kenneth Adams

* Rediscovering Schumann's Album for the Young Gary Busch

* Russian Vocal Music--Part 2: The Romances of Peter Ilyich Tchaikovsky Michael Cochran

* Shaping Music on Shaping Movement Alexandra Pierce, Roger N Pierce

* force in Numbers Mary Dobrea-Grindahl, Robert Mayerovitch, Carla McElhaney

* Teaching Composition in the Private Studio--How to Succe Leonard Rhodes

* The Nature of Muscle Tension Revisited with Biofeedback Marcie Zinn, Mark Zinn

WEDNESDAY, APRIL 6

* Crush the Jitters! Drug-Free Techniques to Combat Performance Anxiety Vanessa Cornett-Murtada

* Debussy's Preludes: The Language of vigorous Siaw-Sing Koo

* Taking the Mystery abroad of Sight Reading at the Piano Brian Marks

* Upper-Body Motion During Piano Sight Reading Brenda Wristen

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